Celebrating Professor and Civil Rights Activist Kellis E. Parker

The first Black professor at Columbia Law School was a scholar, a jazz musician, and a beloved mentor to a generation of students.

Man in suit and tie holding law book in front of bookshelves

The year 1972 marked a new era for Columbia Law School. With the appointments of Kellis E. Parker as the first Black full-time professor and Ruth Bader Ginsburg ’59 as the first female tenured professor, the faculty took much-needed steps to begin to reflect an increasingly diverse student body and the society in which graduates practiced.  

Parker was a mentor, a treasured colleague, and a legal scholar who brought a perspective grounded in both civil rights activism and musicianship. His trombone playing and his upbringing in the Jim Crow South were the basis of his scholarship, which used jazz as a framework for interpreting the law. 

In his music-contracts class, Parker traced improvised, customary laws created by Black communities before and after slavery—developed in a “jam-session style of democracy” and expressed in music and literature as well as in community life—as distinct from statutory laws imposed on Black Americans to enforce white supremacy. 

His 1975 casebook, Modern Judicial Remedies, incorporated civil rights remedies, such as continuing injunctions in school-desegregation cases, into the discussion of traditional common law remedies. Parker’s essays in law journals and other academic forums focused on the experience of Black students in legal education and the necessity of making higher education truly inclusive.  

Over the course of his time at the Law School, Parker mentored a generation of students, particularly a growing number of students of color. 

“He took care of us. He watched over us. He made a way for us,” said Sheena Wright CC ’90, LAW ’94 at the 2023 Paul Robeson Lecture and Alumni of Color Reception. Or, as retired Judge Rolando Acosta CC ’79, LAW ’82 put it: “He embraced us.” 

Black and white vintage photo of man in sweater stands at table in front of black board with students
Kellis Parker in the classroom.

Parker told students to believe in themselves, and to be themselves. “Have faith in your own intellectual worth. You are winners. You will continue to win so long as you retain confidence in your ability to do well in law school,” he said in a talk to incoming students sponsored by the Black Law Students Association. “Popular lore will tell you that excellence comes from the degree to which one approximates complete conformity. In my opinion, the students who develop their own personal touch radiate a perceptible brilliance which law professors find to be irresistible.”

Parker influenced not only his students but also his colleagues. “Kellis Parker was a teacher of intellectual liberation, a mentor who got the best from everyone, a musician who improved everybody else’s playing,” Professor of Law Eben Moglen said in a remembrance after Parker’s death. “He knew how to lead without standing in front. He could make things happen without giving directions. He made everything rhyme, without even choosing the words.” 

Kellis Parker playing with his band, Funky Bud, at Columbia in 1997
Kellis Parker playing with his band, Funky Bud, at Columbia in 1997.
Learn more about Kellis Parker’s life and achievements below. 

Kellis E. Parker 1942–2000

“He was just such an important part of our lives. … The thing that I remember the most about Kellis is that he loved us.” —Anne Williams-Isom ’91 

1942

A Music-Filled Beginning

Born in Kinston, N.C. His parents, Maceo and Novella, run the only Black-owned dry cleaner in the county. Taught by their parents, Kellis and his brothers Maceo and Melvin form a jazz trio—Kellis on trombone, Maceo on trumpet, and Melvin on drums. “We were the Parker brothers, the rhythm kids of East End Dry Cleaners,” Parker wrote later. The store was filled with music, Parker recalled in his unpublished memoir, The East End Dry Cleaners Hello Blues, named after the musical way his father answered the phone. Maceo and Melvin go on to become professional musicians.

1959

Asking for More

Parker later called his hometown in the segregated South “as much law school as music school,” a place where he learned to distinguish between the mores of the Black community and the laws designed to oppress them. As a high school student, Parker persuades the Kinston Chamber of Commerce to end the practice of placing Black marching bands at the back of a local parade. 

1960–1964

Becoming an Activist

Parker enters the University of North Carolina at Chapel Hill, one of five Black students in the class and among the very first classes to be integrated. He is active in student government and is the first Black student elected to a campuswide office. As a junior, Parker helps form Citizens United for Racial Equality and Dignity to integrate Chapel Hill businesses. With the local NAACP, he organizes picketing of a segregated art-house movie theater, and is one of 32 people arrested after a sit-in at Clarence’s Bar & Grill, a whites-only tavern in Chapel Hill.